Tupac was actually pro-choice, which is fantastic. Of course, those moments in rap are few and far between.
As artists we need to stop making work only for gallery or museum walls, or the coffee tables of collectors.
My mum, Jennie Buckman, was a north London Jew who, with my dad, proudly chose to raise me and my two brothers in Hackney.
I was a big hip hop girl, and still am, I listened to artists like Wu Tang, and K'Naan, but I was a particular fan of Biggie and Tupac.
I don't think I ever really felt comfortable with photography as my sole medium. But it wasn't really until I became a mother - I really credit that to opening me up artistically, I think because it was such an empowering birth for me - it gave me the confidence to explore different modes of expression.
When I became older and started to become more in tune with my political leanings, there was a disconnect between the feminist in me and the hip hop side of me, and I don't know if, in some way, those influences are also present in Tupac's work.
I have been drawn to India since I was a kid.
There's a real lack of basic understanding of the female body and the reproductive system.
People will email me and text me if they've found an amazing loo. I'm like, 'How was the food?' They'll say, 'Fine, but you have to check out the loo.'
I have this ridiculous idea that art should just be for everyone, and everyone should get to enjoy art and it shouldn't be this exclusive thing.
I don't like putting the female form behind glass or on a wall, further objectifying it as much as art does.
Becoming a mother really put me in touch with not just my mortality but also my baby's mortality. You spent nine months working on this thing, and it's finally there, and the first thing you think about is, 'I don't want my child to die.'
My art should have a lightness and sweetness. Especially since it has heavy and triggering subject matters, I prefer to present it in a way that's palatable and draws people in.
My journey with grief, with learning how to grow through it, rather than get over it, will be a lifelong one.
I'm someone who lives with the work of artists I've been lucky enough to know or trade with.
Cutting out images you like from art books and framing them is a great way of getting beautiful works on your wall. You can also frame magazine images or pick up inexpensive art at museum gift shops.
I was obsessed with American hip-hop as a teenager.
It was super-important to me that I would be able to make work out of my home.
My work is always on display, and my life is always on display when I make my work.
I cook a lot more now that my studio is in my home.
