I am happy because I'm grateful. I choose to be grateful. That gratitude allows me to be happy.
Because 'Gob' was a terrible magician, he was always, in great comedic moments, messing up his magic act. We used to have magicians come in to work on these tricks to actually get them wrong. But they still had to work. We had to bring magicians on to make magic not work.
Everything's not black and white. We choose to make bad decisions or not.
My first movie was this independent that I did on the Erie Canal in 1995, called Erie, that I don't know if you could even get, actually with Felicity Huffman. And then from that I did this film that was eventually called The Broken Giant later that fall. And then I kind of started getting into doing pilots.
One of the greatest punsters of all time, Peter Serafinowicz, is a good friend of mine, and I've been in situations more than once where people have been exhausted hanging around with him.
As I get older, I'm sort of fascinated with the idea of somebody who could construct an entire persona for themselves - one that was really, in a lot of ways, fundamentally at odds with who they really were as a person.
The thing I always try to hold onto with 'BoJack' and with 'Flaked' is that maybe there is a sliver of hope that they are going to turn it around. They are just having a tough time getting there. And that's the thing with 'BoJack' - he is obviously depressed.
Because I think a lot of people felt like, ultimately - and this isn't the first time I've said this, so I'll bore you again with it - but ultimately it was... I think it felt like homework a bit for people.
Any kind of run-of-the-mill flaws that are easily solved, to me, are boring. Situational flaws, for example. I like flaws that are rooted in a deep distrust in people because of a lack of love.
I'm not necessarily interested in telling the story of people who are super likable.
And then we've got Blades of Glory, and we've got Brothers Solomon, and I've got a script in development with this guy Chuck Martin who used to write on Arrested, and, you know, we have a few things in various stages of development.
I spent a lot of time quasi-fascinated with characters who were super-dumb and super-cocky. I always liked that combination.
Look, I get it; you come home, you work hard, and you turn on your TV... You kind of want to escape a little bit and be taken away by something. Our show required you to pay attention, and if that's not what you wanted to do, then it wasn't going to be for you, and that's OK.