My parents pushed me toward trombone because they didn't need another trumpet player.
We're not really trying to do anything besides represent where we come from, and that's New Orleans.
I just don't like looking at the crowd and seeing them just staring and listening to the music. When I get them involved, whatever type of music I'm playing, they leave there feeling better.
As a musician, as a horn player, sometimes I even get bored listening to all instrumental music.
We come from New Orleans, so everything is emotional - for, once the music takes over, and we start blowing, we go into a different zone that takes over our whole body.
I listen to Nine Inch Nails, Green Day, U2, and it becomes part of me, comes out in my music. Wherever it goes, there will always be the fabric of New Orleans in it.
My grandfather influenced my brother, and my brother was my biggest influence.
I had a lot of older musicians looking out for me, teaching me, and showing me things when they saw how interested I was in music from a young age. They would take me to the side and just play some things in my ear, and I would try to play it back to them.
There's pride on Bourbon Street for the musicians that work there. They take it very seriously. I've never worked there or played in band there, but it's a part of the city. They play for the tourists and represent a whole different side of the culture of our city.