Love's a recurring theme through my work.
I always considered trying to make a living playing music. But it was always really clear to me, at the various stages in my life, that it really wasn't a possibility unless some phenomenal thing happened.
I was raised in a Baptist tradition, but then I went to an Episcopalian high school, and they were very accepting of people of all faiths.
As a child I always had a sense of social conditions and political situations. I think it had to do with the fact that my mother was always discussing things with my sister and me - also because I read a lot.
Everyone is looking for connections between the songs. I don't usually approach a record as a concept. There's no overriding theme I'm trying to represent. It's all about the individual songs.
That's one of the things I like about San Francisco. It's not like anywhere else in the world.
Maybe it's naive to say, but it almost seems like, in the past, people tried to sell you something you would actually need, like a hammer or a broom or a toothbrush. But now there's this notion that they can sell you anything. And all they have to do is convince you that you need it.
When we started making 'Where You Live', I bought a bunch of Polaroid cameras in so that people could record the experience. Some of those pictures are in the CD sleeve.
Songwriting is a very mysterious process. It feels like creating something from nothing. It's something I don't feel like I really control.
Music was never just a hobby for me. I'd pick up a guitar every day to work on whatever I was writing at the time. I would put my ideas in songs the way some people might put them in diaries or journals.
I don't know - I'm not sure about anything as far as religion and spirituality go.
I'm not sure about anything as far as religion and spirituality go.