I have seen a lot of people who are affected by HIV. When I see that there is industrial growth on one side but there is not awareness on the other side, it breaks my heart.
When there is growth economically and in industry, I think there should be growth in information also.
In the digital world, we have forgotten the meaning of 'persistence of vision'. Art is something we have to hold on to.
I will reunite with Ananth Nag onscreen after a while for a cameo in Vijayalakshmi Singh's 'Yaanaa,' which sees her launching her daughters.
In 1983, when I did 'Sindhu Bhairavi' and played the other woman, many men came up to me and said it opened up a lot to them. The film showed that a man and woman could have an intellectual and artistic relationship.
I was 13 or 14 when I was brought from Paramakudi to Chennai by my uncle Kamal Haasan, and I lived under the care of my uncle and my grandparents.
When my son Nandan was in middle school, I had a fun way of doing his maths homework. I bought another set of mathematics books and both of us would sit side by side and start solving problems.
Chennai has amazing talent, but in terms of organization... not so much.
When I'm acting, I'm a woman but when I am directing, I am an animal because I am very demanding.
Direction gives me happiness and acting gives me peace.
I have been hooked to cinema since childhood. I am like a typical Indian villager who had no other source of entertainment while growing up.