I do believe in humanism, and I believe that we should treat each other with respect and care and look after each other. All human beings should have an equal chance to survive in society, and inequality is a big problem in society.
I played a heap of snow in a school play. I was under a sheet, and crawled out when spring came. I often say I'll never reach the same artistic level again.
I think I was 13 years old when my father put in my hands 'The Spy Who Came in from the Cold.' It was the first real adult book I ever read, and it opened a new world.
Even the most despicable person is still a human being.
Because of ignorance, I wasn't a big fan of Marvel. I hadn't read the magazines. They were not as big in Europe as they are in the United States. They're more a part of modern American mythology. I know more about the original Thor than the Marvel Thor.
Maybe there is something specifically Scandinavian that comes out of the long, dark winters - you have to learn to laugh at misery, in a way.
Any society that starts forbidding certain words or expressions is a society you should be wary about, whether it's the KGB or social consensus that enforces it.
I've got a lot of weaknesses. One of them is that I often get scared and tense when I'm working - and fear is one of the big threats to any good performance, because it closes you down and makes it harder for you to produce life in front of the camera.
It's good to pay high taxes - you have free schools, free universities. It's a much more decent society than those where everybody pays their own way, and some people don't get anything.
When Lars Von Trier calls me, I say yes without reading the script because often the script hasn't been written yet, and if Fincher called me again, I'd say yes without reading the script, too.
I'm so full of useless information; I'm the kind of person that collects useless information. I like to know everything!
All directors are control freaks and very obsessive. I get the feeling that directors as kids, they all have had a childhood with not too much contact with other kids. They constructed their own reality and they continue to do it. It's a funny breed, directors.
All directors have their strengths and weaknesses, as all actors have, and all artists. What you try to do is complete the relationship and take care of the stuff that the director won't take care of.
I'm in Stockholm in my office. I just got here after seeing my eighth child on an ultrasound, so I'm in a good mood. It's beautiful: an energetic little skeleton.