I've never had a mental break-down, where I've grappled with my own sense of religion, but I've definitely had my heart broken and fancied people I probably shouldn't have fancied and all that stuff.
I think that we're starting to allow ourselves to imagine that gender doesn't have to be binary, sexuality doesn't have to be binary, and you are allowed to choose who you love, how you behave, and how you dress.
I'm fascinated by delving into the historical context of what life was like in the past.
We don't see a lot of LGBTQ representation in period dramas because there was so much shame around it at the time. The stories that we tell about that time don't tend to focus explicitly on those sorts of characters, which is nonsense because they existed.
In a drama, you generally have to be very faithful to the script and the storyline, and it all has to fit together, and it's weighty and serious.
The joys of making a comedy are that it feels very playful and silly, and the energy is totally different because they want you to feel free enough to come out with something a bit mad.
My mum and dad aren't actors, but we all sit around doing impressions.
I get embarrassed saying what I do. If you're chatting to a cabbie, and they don't know you're an actor, I cringe because it's always coupled with the inevitable, 'So, what have I seen you in?' And you're left reciting your CV.
Loyalty, support, and 'the sisterhood' are there in spades in 'Jamestown.'