I'm not brave, I'm not fantastic. I'm like any other woman. I'm unhappy. I'm difficult. I'm sad. Am I strong, too? Maybe, but not always. There are days when I don't want to see anyone. The most important thing you learn? You can live with it.
I was a tomboy, always fairly eccentric, and convinced I'd grow up to be an actress.
As soon as I am up, I brush my hair. I eat breakfast first: tea and brown bread, and sometimes a fresh fruit juice like orange or grapefruit. I write notes on the previous day in my notebook, then I shower.
At hotels, you are an actress. Absolutely. You can do what you want. Go where you want. I love my home too. But I love to arrive in a hotel. They have books, chocolate, food. I put things in the little refrigerator.
I was fascinated by stripes from the start. On clothing, they follow a woman's movements.
I love chocolate. Black chocolate with marshmallow inside, caramel inside. If I could only have two foods, I'd take some fantastic chocolate. And some terrible chocolate. I love the Clark Bar.
I care a lot about my looks, although I'm not too adventurous. Every day I dress the same way in a kind of 'uniform' of black, although in varying fabrics - it's always black.
A dress will never make a woman sexy, fatale, magnificent, mysterious. It's a way of walking, of standing, or existing, the way you give your hand or your regard. That's what makes the dress.
You have to be luxurious nude. It's difficult to move in the nude in front of a mirror. It's much easier to move when you're dressed. But if you can walk around in the nude easily in front of your man, if you can be luxurious in the nude, then you've really got it.
First I made a dress because I was pregnant and I wanted to be the most beautiful pregnant woman. Then I made a sweater because I wanted to have one that wasn't like anyone else's.
People said making clothes inside out was not proper. I disagreed, because clothes that are inside out are as beautiful as a cathedral.