I never, ever pay attention to the ratings. I stopped paying attention to the ratings somewhere around season two or three of 'Grey's.' It's something I have no control over, so I don't even pay attention.
I truly feel like my job is to make the shows. That's what I'm paid to do. It's somebody else's job to market them, and it's somebody else's job to pay attention to the ratings, because if I paid attention to all that, my head would explode.
When the script is finished, and you're sitting around at a table read, and all the actors are reading the words that you've written, and you're hearing it out loud for the first time, that is always, every single time, no matter what, a magical process.
That first year I was doing 'Grey's,' I didn't know it was possible to fire the creator of a show off their own show, so I didn't behave like somebody who was afraid of being fired.
I don't identify with her, but I highly admire Eleanor Roosevelt.
I believe that good television should be challenging and frustrating and maddening and thrilling. If you just want to see people who look like you and think like you and do what you would do in any given situation, you'd have to stop looking at TV and start looking in a mirror. But would that be as much fun?
'Scandal' has always lived in this dark place with this idea that Washington is filled with this underbelly of monsters, that if the real world understood how dark, twisted and corrupt it really was, they would never agree with our government or want to be part of it. It's been kind of fun to live in that world. It felt like a fictional world.