It's very tempting for certain generations to say, 'Well, I just want to be in a band, and I want to be a rock star,' or whatever. That's not what it's about. Firstly, you've got to be in it for the love and the passion that you have for the music, and then you take it from there.
Running away from something doesn't do anything except put distance.
'Defenders' seems to have a really gritty, hard, uncomplicated vibe about it. Somehow, we made everything sound stronger and more precise than on 'Screaming Vengeance' through Tom Allom's amazing mixing skills.
The thing about rock & roll, and the black leather biker jacket - it automatically creates an idea about what that person might be about, about their musical taste or their attitude.
I like to remain somewhat anonymous. I could never handle the whole Britney Spears syndrome of being noticed everywhere.
When we talk about 'Firepower,' we're talking about the fire and power of heavy metal to prevail and endure difficulties. 'Children of the Sun,' is, to some extent, about climate change and the ecosystem... We want to deliver a message to the people without being too much of a teacher.
I never tire of the drive from Phoenix to San Diego, and it is mostly desert, obviously, but you get different varieties of desert terrain.
I think my heart will always be made of metal, but it would be ignorant of me and kind of foolish to ignore the other emotional connections you can make in all kinds of music.
The moment I came out as a gay man, I never really thought of the consequences. Of course, the proverbial happened: it hits the newswires, and it's this big, big thing.
I think that essentially, since music was invented, it's basically reached out and touched every single kind of conceivable generation.