There are very few people who do what I do.
I use zero photography. I have a photographic memory and a complete knowledge of anatomy and physiology, and an interest in grasping the moment of what is happening, not just the outside, but the inside out.
I do everything. Of course, I have 50 people who work for me to do the drudgery of mold making and all the foundry. This is an enormous task. But every stroke in these sculptures is from my hands.
I am only limited by the amount of life I have left to capture the ideas I am already working on. Another problem is that I am not sure if I would rather create or collect art. Collecting art is another passion of mine.
