Oftentimes, actors don't have the luxury of picking their part. You go from one project to the next, and you hope that you find one that fits you and that you're suited for, and then they see that you're fit for it.
I was talking on the phone in my trailer, and I looked in the mirror and I saw the badge clipped to my belt, a gun with a holster, and the suit and the tie with the jacket off, and it was just deja vu. I remember that image so clearly from growing up. My dad would come home for lunch, take off his jacket, have the gun and the badge.
It's not unknown that Vancouver is a huge destination for television and film. It has been for many years. It just seems to be that I'm drawn to the show that shoots in Vancouver.
It's an interesting plot device to enter in a third wheel - it always helps raise the stakes for all parties involved. But often, those characters can be one-dimensional.
I have a coffee mug that my dad gave me years ago that has the San Mateo police logo and my dad's name on it, so I brought it to set and used it in a scene. I mean, you don't see it, it's not prominently featured, but I just wanted that connectivity.
I would love to shoot in San Francisco permanently. It would be such a joy to come back home full circle.
I don't want to get pigeon-holed into a certain kind of character. I love action roles and the hero, but I want to keep trying something new.
Before I pursued acting full-time, I had every intention of going into some form of law enforcement work.
The most important thing is to illicit some reaction, good or bad. If some people are repellent to me, so be it. If some people are attracted to me, great. At the end, that's the object of entertainment - you want to provoke a reaction.
I come back home almost every weekend, or my wife comes up every other weekend to Vancouver. So, in that sense, we make it work. It's just a great city. It's a great country. They've been good to me, and I have no problems being up there.