I started out as a producer. and I used to work at Disney. and I worked with a lot of the animators and went on to become great friends with a lot of these guys and worked on a lot of projects together.
I like the sounds of real, living, breathing musicians. When a real person plays something, there's a soul. They're giving you their emotions.
I even went to film school at School of Visual Arts in New York City. And then, after that, I got a day job at Universal publicity department, then moved over to Disney publicity department. So I had this day job, and at night I would study music.
My parents loved music, but they weren't musicians. So my musical training as a young kid was limited to piano lessons. I was not the best student; I was awful, never practiced. But I was always interested in just messing around on the piano.
I like live musicians and personally orchestrate about 80 to 90% of all my scores.
Hopefully, by the time I do a project, I already have a true understanding and love of what I'm about to do because if I don't, I'm not going to work on that project. I really want to have those connections so I can be truthful to the emotional aspect of what I have to deliver for the story.
My dad gave me his camera, so I spent my childhood making movies with the kids in the neighborhood as actors.
I like to think that I probably have written more World War II music than anyone on the planet after all the 'Medal of Honors' and 'Call of Duties.'
I have tons of drawings of 'Star Wars,' whether it be stormtroopers, Darth Vader, Star Destroyers, or the whole thing.