There is beauty in our roots. Sometimes we think our roots are shameful, and people tell you that you're no good or your ancestors are no good or that you come from a neighborhood of no hope and terrible crime. But it's about the beauty of those places, and I carry that with me.
The concept of a literature of witness - of bearing witness - has embedded in it the need for action. One must not simply hide in the shadows and type; one must also stand in the light.
When I was a little boy in Tijuana, it was wonderland. We left when I was probably four - I was dying of tuberculosis.
I missed the Wilco phenom while busy obsessing over rock en Espanol. So imagine my surprise when I found myself at O'Hare getting on a plane with my Chi-town homeboy, Jeff Tweedy. I loved the guy right away and loved his family. How odd to know somebody before you listen to them. I don't know if that's bad or good.
I'm always trying to, using literature, subvert people's responses.
I have often said I come from a family of unreliable narrators. I tend to believe their struggles with racism, identity, nationality do dovetail with my motivation to write.
Spanish was my first language. Honestly, I learned to first speak in Spanish, not English, because my poor mother had to go to San Diego every day to work and then come back. And she would come home when I was an infant long after I was asleep.
I'm a theological writer mistaken for a political writer. My theme is grace versus karma.