Crushes start out as that teenage phenomenon, life-affirming and cute, but as you wander into adulthood, they seem to end up more painful, harrowing, and uncertain, especially if you have just come out of the relationship you thought would finally, maybe, maybe be the one that stuck.
To me, it is not necessarily you responding that trolls want: they want to scare, they want to intimidate, and they want to silence people - so ignoring it doesn't make a difference.
Obviously, when you're working at things, you all hope that people will relate to it.
Japan has always been a really special place for Chvrches.
We should all be able to have faith that our governments are working in our best interests - and if they aren't, then they should be challenged and held to account.
I think that everybody likes different kinds of music, and that's absolutely fine.
I went to an island in the Bahamas full of iguanas. You don't live on the island, obviously, because it's solely populated by iguanas, and it's not allowed.
I don't want to be the front for somebody else's creativity and sell that day in, day out.
I operate a pretty strict muting and blocking policy on Twitter.
My band persona is 25% tougher than I am.
We've done a couple of women's mags, but we tend to talk about feminism and women in the industry, which I feel more comfortable talking about. It's a more valuable discussion than, 'Oh, you're a girl in a band. What hair conditioner do you use?' I use hair conditioner, and I like talking about it. But I don't want that to be the question.
I guess I'm fortunate in that two things I always wanted to do, since I was 16, were play music and get into news media. I'm very lucky to have two things that can engage my brain at once.
Even in the early stages, you can tell who thinks you're an idiot singing songs someone else has written for you. We never wanted to be two producers and a girl who wears some shoes.
I spent a lot of time reading 'Cosmopolitan' and quietly crying.
I'm not in the business of telling people 'DIY or die,' but I do think it's important to be as hands-on with what you're doing as possible.
Sometimes if you don't take the easy option, it'll pay dividends in the long run.
I guess, at the end of the day, I want to be viewed as a musician.
One guy came to a show and was like, 'You're going to be huge. I can see it in my mind's eye. We could make you the next Pixie Lott.' I did an internal scream and ran away.
We went from playing small clubs to quite big stages quite quickly, and a lot of the time, I felt like I was trying to catch up with myself. Figuring out how to take up space was an interesting journey.
I've been into short stories ever since I read an Angela Carter collection when I was a teenager.
