I don't want to be just that transgender performer or that transgender musical artist. I want to create songs and art and have those be judged on their merit alone.
You know, sexism in the punk scene - or just in rock and roll in general - is so easily demonstrated by the amount of women or queer people that you see on stage versus the amount of cis males that you see on stage.
I think that on paper we did make so many of the classic mistakes that a punk band makes, signing to a major label, getting in business with the wrong people, stuff like that.
I remember being really young - being 13 or 14 - when I first was really excited about punk rock as an idea, and I was like, 'Don't ever not be punk. Don't ever not be punk.' Telling that to myself, I guess it was like self-defense against the scary world around me.
When I was 19 or 20, the way I was an activist was by regularly meeting with groups, going to protests, and being there on the ground.
Growing up, my experience with transsexualism was nothing but shame. It was something very hidden, and dealt with very privately.
Butch Vig was a true friend and really guided us, and it was such a fulfilling relationship with a person to make records with.
I like the idea that the body is a vessel, that it's not necessarily representative of the real you that's inside of it.
Every musician out there wants to be judged on the merit of their songwriting, the merit of their performing abilities.
I feel self-conscious for even having met so many other band people and artists, I don't want to be that artist that is only able to talk about themselves and their own band. I don't want to be that person. I'd rather just be quiet than be that person.
Writing your memoir is inherently narcissistic.