We're both very very lazy, and having someone else do half the work is very convenient.
If audiences are sort of interested in movies that are made like McDonald's hamburgers, which do have a value in the world, then we have to re-evaluate our entire career.
With a genre like film noir, everyone has these assumptions and expectations. And once all of those things are in place, that's when you can really start to twist it about and mess around with it.
Billy Wilder is really is a heavy influence on Bound. We felt that film noir was a genre where you could create a really contained story. We wanted to be on a set as much as we could to get the kind of style level we were looking for.
My ideas are always better. We have an understanding in place.
I don't know why directors sign on to these projects and completely rewrite everything.
There's a science fiction project we really want to make, but it's very expensive. Hopefully it will happen.