I don't find I'm manic at all. I'm very chill.
I would love to work with Quentin Tarantino - he's my number one. My ultimate. I would love to work with Paul Thomas Anderson, Alexander Payne - Pedro Almodovar wouldn't be too shabby. There are so many good directors, but those are some of my favorites.
I don't really relate to myself as The Girl in the Magazine. Which is dangerous for me, too, sometimes, because I don't think all the time, 'Well, look to see if people are following me home.' Sometimes I'm a little bit more free than maybe I should be.
I feel like everyone directs their own career according to their taste, what they migrate to emotionally and what kind of artists they want to work with. And I'm lucky enough to be in a position where I can wait six months for a project that really interests me.
A lot of moms give their kids line reads. My mom wasn't put in that position because I always had an acting teacher helping with the feelings rather than how to say something.
If you're successful at a young age, no matter the profession, there has to come a time when you reevaluate everything, what it means to you. 'Is this what I want to do for the rest of my life?'
You don't really know who you're going to fall in love with at what time in their life. They can be the worst off they've ever been in their life, but you can't help who you fall in love with. That's part of the excitement of life - new people, new experiences.
People always tell me, 'Don't work so much', but I can't help it. I feel like all the things I've done are important to get to this adult stage and now I'm getting all these adult offers, so it's working.