I think it's important to approach a house in a way that's reflective of the original environment. Maybe I'm a sentimentalist, but I think that certain geographies call out for certain architecture. I like residences that reflect their place.
The first thing I did on television was a PBS thing where I played a priest. It was a Walt Whitman or Carl Sandburg story - I can't quite remember - but I was a turn-of-the-20th-century priest kind of guy. Never saw it; don't know if I was any good or not.
I thought 'Back To You' was a good show. The writers' strike really kind of put an end to that, though, honestly. There were a couple of factors involved, but to start a show and then to have it disappear and not come back for that long... it's just bad form.
I had a kind of romantic notion about being a Hollywood Errol Flynn type. Honestly, I did not get into a lot of bar brawls - but I was always willing to. About the only thing missing from my story is that I haven't had a full knock-down fight in the middle of the Polo Lounge.
I don't really want to go into it, because whenever I say anything about my past now, it becomes a pissing match... but I realised that I had acquiesced, in my 40s, to an idea of 'You know what, maybe this thing that you wanted in your life, maybe it just wasn't important.'
I remember the defining moment when I first realised I was famous. I was in Africa staying in the little tent city there by the Masai Mara River. Two guys with spears looked at me and said, 'Frasier?'
Tolerance actually does exist on Broadway.
Do I believe it's possible that some young person, young voting actor, or even older voting member for the Emmys, would sit there and go, 'Yeah, that's a great performance, but oooooh, I just hate everything he stands for?' I don't believe that's possible.