I'm a pretty positive person, so a bad mood is quite a big deal.
I never had the guts to go to Calais. I didn't see for myself the conditions people were living in, or hear their stories firsthand. That doesn't sit well with my conscience.
I briefly flirted with the idea of more stable career choices but they never excited me. I know it's a bit of a cliche but I remember doing school plays in primary school and feeling at home on the stage.
Writing 'If Chloe Can' has taken me on an amazing journey: from launching the event at Downing Street, to a performance to 1,000 inner-city school girls at a West End theatre, then to an audience of hundreds more at the Royal Society of Chemistry.
Certainty regarding your career aged 15 is very unusual.
I have a camp fascination with all things musical theatre - I've even got the box set of 'Britannia High.'
Some people think all young actors should come up through the ranks of theatre. I don't necessarily think that's true.
In an ideal world, I would constantly be doing different characters in different worlds.
As an actor, I believe that theatre is the one of the most immediate and exciting mediums to inspire young girls to succeed.
I am a notorious and constant worrier. I'm worried if I'm not worried.
I find it difficult to be comfortable with anything for the same reasons that anyone gets nervous about something - because they want it to be good and they don't want to let anyone down.