When I wrote 'Hatchet,' I knew that I was not re-inventing the wheel. That was never my intention. My goal was to make an '80s-style slasher flick that actually holds up. Basically, I wanted to make the movie that I wanted to see and pay no mind to current trends or conventions.
Many Americans have a romanticized view of trains, rooted in a bygone era of elaborately adorned rail cars lit by flickering gas lamps and pulled by smoke-belching steam locomotives.
I don't think that there's necessarily a side to drama that has to be completely bleak. You have to have a flicker of humor 'cause everyone has a flicker of humor, something they find funny in life.
Foreign audiences are used to seeing Mexico in other sorts of movies. 'Casi divas' is a step toward a more commercially successful cinema, without the violence, blood and exaggerations. The movie reflects a more human Mexico, while remaining a chick flick, although it is not a romantic comedy.
Michel Gondry's 'Green Hornet' was another franchise flick that felt like it came out of left field - I thought in a good way, but most audiences disagreed.
Whether 'Avatar' is racist is a matter for debate. Regardless of where you come down on that question, it's undeniable that the film - like alien apartheid flick 'District 9', released earlier this year - is emphatically a fantasy about race.
It's sort of an action flick. You can't be that funny trying to steal diamonds.
I like to get up and get out. Otherwise you end up kicking about, and it's easy to flick the telly on; then before you know it, it is 11 A.M. and you haven't done anything.
I would love to do a chick flick sometime soon, a film with strong female characters - when I say strong, I don't mean that they are changing the world, but just be real women.
It's not about living my life as a boy or a girl - but I'm also not trans - it's just that one day, you wake up feeling masculine, and one day, you wake up feeling feminine. The flickering in between those two states is what's most fertile for me.
