I was in a band called Groove Solution. Because there was a groove crisis, and we solved it.
The profession is rife with fear about your age, about your validly, longevity, appearance. It's vanity, and it's hard to sort of avoid all those things; they come at you as an actor.
My dad wanted to be a musician, so when I started playing guitar, he was like, 'Go for it.' That is what I did for ages; I was in bands. And then I went to university and got into comedy somehow.
Comedians are not well people. Well people are not drawn to creating.
We did have that, in the background of the character and the show, 'Mindhorn,' set on the Isle of Man, that every episode they would have to mention the temperate microclimate of the Isle of Man.
I like the countryside. I like chopping wood. I'd like to be a carpenter.
In comedy terms, usually when the weather's bad, it goes much better. When it's sunny, people don't come to see comedy gigs because they're all really happy and don't need cheering up.
I ran off stage at my first gig. Halfway through it, I forgot my lines and didn't know what to do, so I just ran out of the building down towards a lake. I was going to throw myself in, but the compere came out and said, 'No, it's going well, come back and finish the gig!'
The secret of comedy is don't grow up. That's why some comedians are a nightmare, because they never grow up.
People can see that we are part of a tradition of absurd comedy, stretching from Spike Milligan and Peter Cook through to Monty Python and Vic Reeves. We're not like Ricky Gervais's hyper-real cringe comedy. We're at the other end of the scale, but there's room for the sillier stuff, too.