I just sat down and thought, I'm going to write a song today, I'm going to give it a try. So I just stuck it on a tape like everything else. That was just another song.
Doing this James Brown thing for the last couple of days has been ideal. But it's a different kind of fun.
You could put this record on and not get jarred half-way through. I wanted it to be all cut from one cloth, and that was the way we took it through the whole production process.
The same people who never did their homework in high school are still doing that to this very day out in the real world.
The bottom string is tuned to an open G.
I was living in Woodstock for a long time, and I thought, I got to get out of here, man.
I taught myself how to play when I was about 13. I'm a lefty.
Things kind of happen organically with me.
Every one of the songs was based around picking an acoustic guitar. That was part of the concept from the beginning, that the tempos were going to go from slow to almost mid-tempo.
I don't know too many people because I stay at my house, I write songs, I go to the store.
I made this record without a record label.
I'm not really getting too involved. My position is, Here's the record. I'm at your disposal.
Some gigs will go great. I figure you do a gig, and as many as can get there will get there.
Shouldn't the low strings be at the bottom?
Rewriting to me means, if I work on it for three days, I've rewritten it.
I tend to think of all the songs the same - I give them all kind of equal rights.
I had 25 or 30 songs. Sequencing the record, I left that to the producer. I'm not into doing that stuff.
Why do it, just because I can? That's kind of crazy.
If you're asking me to compare myself to other people, I don't really know what other people are like.
I guess any time you believe in God you've got to be considered a spiritual person. That would make me a spiritual person. But I don't really know what that means.
