I have no memory of feeling strong and rugged at any point. I've been considering masculinity my whole life.
The thing is, I was always a republican, but I have to say I've become completely obsessed with the Queen.
I grew up in a family that felt indifferent towards the royal family.
I don't think anyone is purely evil or purely brilliant, certainly for Prince Charles.
Being in 'The Crown' and being recognised in the street is weird for me.
I've got two brothers. One's older - the artist - and then my younger brother is an ecological economist - a farmer.
Well, we lived in Newbury first, until I was five. Then we went to Cheltenham, which is lovely, a really sweet town. We lived surrounded by hills. It was the best place to grow up.
I am thrilled to be joining The Firm for the next installment of 'The Crown'.
I think Jane Austen is like Shakespeare, in a slightly different way. I think people will continue to revisit these stories because they remain relevant, regardless of how you do them.
If Leonardo DiCaprio calls, I'll hang out with him, sure.
I have so much respect for the Queen and for Charles, and what the family represents. And yet there's still a conflict about whether we can abolish the class system while also having a Royal family.
My dad's an English teacher and my mum's a midwife. Then my mum's side of the family are all crazy creative.
I love theater and I really wanted to do more theater.
I wanted to be an artist; it was be an artist or be an actor.
All of a sudden we were going on school trips, seeing these amazing plays by the likes of Samuel Beckett. My whole world went from 'This is really fun' to 'This is fascinating to me'.
There is something about being in a remote town where anything other than green fields, trees and Saturday football club is very exciting and thrilling.
I went from silent films to watching French new wave cinema. I became entrapped by it all. That's when I knew I wanted to do film. The moment you start looking at film from a critique point of view - there's a difference between watching a film as an audience and with a critical point of view.
Royals are always very clear about where they're moving, because they've been told by protection officers exactly what they're doing.
I work in an industry in which we're all quite vulnerable, I think, to mental health.
Y'know, even in a lot of heterosexual cinema it's always kind of miserable. Love doesn't work and then, if it does work, it's suddenly a rom-com.
