In terms of long-term durable storage, the human mind, paradoxically, is pretty good, but it's very fragile.
I've always loved shows that combine both approaches - that have a mythology and a set of characters, whose stories develop and change, and where the relationships evolve and fracture.
I believe we should be good custodians of the Earth.
I consider my job as a screenwriter to pack a script with possibilities and ideas - to create a feast for the filmmaker to pick from.
'Close Encounters of the Third Kind' ends with the spaceship lands and Richard Dreyfuss' character best on, but a bunch of pilots and sailors from the 1940s get off. You kind of wanted to know what happened next.
I'd grown up in the U.K., where the surveillance apparatus went into place in the 1970s in response to the Troubles with the IRA. When I was a kid, we moved to Chicago, and I was surprised to see you could live in a large city in which you didn't have cameras on every street corner.
I'm not a big fan of visual effects.
I'm a big, big, big techno dork.
When you're doing a film called 'Interstellar,' at some point - the idea was to be grounded in the science as much as possible - but with a name like 'Interstellar,' you had better go somewhere big and bold.
Wormholes don't exist because the only way they would exist is if they were seeded with exotic material created by an intelligence far beyond our own. Something would have to make one.
I was a big Batman fan when I was a kid.
To me, Joss Whedon is a god. I'm just a huge fan of his work; I love his work on TV.
Wormholes are a gravitational phenomena. Or imaginary gravitational phenomena, as the case may be.
I'm fascinated by artificial intelligence.
Look at anyone's bookcase at home, no matter how modest, and you're going to find a book that contains wisdom or ideas or a language that's at least a thousand years old. And the idea that humans have created a mechanism to time travel, to hurl ideas into the future, it sort of bookends. Books are a time machine.
We have been crafted by disaster to push out to the utmost horizon to find out what's on the other side of it. That's in our nature. What's also in our nature is a profound love and connection to our children and our communities. Those two things are very much at conflict with one another at certain moments.
My earliest memories are making little Super 8 films - or watching my brother make stop-motion space spectaculars.
I grew up watching 'Magnum, P.I.' and shows like that, where you could develop a character over eight seasons, with stories along the way.
With films, you get to develop a set of characters, and then, at the end of the film, you have to throw them away.
It's always gratifying to hear that people are excited by something that you've been excited to make.
