E! didn't like it when we'd make fun of clips from ESPN - they'd be like, 'That's sports! That's not our audience!'
When I started 'The Soup' back in 2004, I was so anxious because I can't really read, and I had to read teleprompter.
I always excelled in sports, so I knew I had advantages there. That really gave me, like, confidence and self-esteem.
I knew I was good at sports, and I knew I loved acting and performing, so I really dove into that, and school always became secondary.
On 'The Soup,' we were never a political show.
The #MeToo movement is insanely serious, and there's no comedy to be mined out of that.
I don't feel any pressure to joke about #MeToo - in fact, I'd say you shouldn't, because it's a great movement that is exposing some really awful behavior and hopefully changing the culture.
I like anything with Zak Bagans and ghost hunters.
The editors and the creators of 'The Bachelor' and 'The Bachelorette,' they are so good at casting and at finding these young, beautiful lunatics to go on the show.
I love making fun of YouTubers.
When E! ended the show, it wasn't because it was low-rated. It was because E! did not want to pay union rerun dues.
I couldn't read the way that other students read, so I would just cheat, which, in my silly brain, I was like, 'This is a skill that I'm developing - how to just get around everything!'
Now I tell my mom, I go, 'Mom, you know when I was a kid and you told me to turn off the television and go outside and play?' I'd be like, 'You literally were hurting my career when you did that. You literally stopped me from doing now, what I do for a living.'
With 'The Soup,' obviously it has to be totally scripted out, and then, within that, I improvise punchlines and sometimes setups if I can't read the teleprompter properly.
Acting is what I'd always wanted to do; hosting 'The Soup' was more because of Greg Kinnear.
I like 'American Idol' because it's an actual talent contest.
