I always thought I was a fairly meek individual.
'Criminal Intent' scripts are very good. Like others involved in 'Law & Order' stuff, I've come to appreciate the lack of 'soap,' if you will. The story dominates. You don't spend a lot of time with the psychological underpinnings of the police.
Because I was writing verse, my instructor suggested I study Shakespeare. The Shakespeare teacher insisted you couldn't understand the text without seeing it on its feet.
I'm like a guy hanging down from a horse's belly trying to establish control. On a scale of 1 to 100, I'm at 1, and I'm trying to get to 2. The older I get, the more I enjoy control, because I've lived out of control for a long, long time.
Television allows for survival, which is the basic issue for me. You have to decide how much money is enough. You can't get carried away with the hunt for money. But there are times it shows up, and you need to grab it, and that allows you to hunt for a better script.
Next time I do a play, I want to go out of town. I don't like the idea of opening in New York. I don't have to do theatre, but if you're going to do it, you should do it well. These days, everything has to be up and running in five minutes. As a result, the rehearsal time is missing.
My father became the technical advisor for 'The Desert Fox,' with James Mason as Rommel. They wanted an Aussie who had been in North Africa with the English, and found my father on the Pasadena police force.
I have no regrets. I can't think of a regret.
Every lawyer is an actor. The place where a lawyer's acting ability shines most is certainly in the courtroom, but it works very well in the boardroom and in the office.
I think life is a little more basic here in Australia. There aren't so many distractions. People seem to feel they can be kinder with each other here, I think, to a greater extent than in the States.