I definitely grew up to Nina Simone and a lot of Ella Fitzgerald. And I loved Amy Winehouse. I loved that sort of soulful singer.
It's odd doing a movie, and then a year and half later having to go to a premiere and talk about what you did, and get dressed up and have your picture taken.
I am an only child, so I relate to the intensity of that single-parent, mother-daughter relationship.
One of my favourite places is Hampstead Heath. When I first moved to London, I lived in Highgate, and I would walk on the Heath at the weekends and go to the Kenwood House coffee shop.
For film, I think because it's more detailed, and especially with historical material, you really have to find the right projects. Speaking as a mixed-race woman, there aren't many historical stories about people like me. When people think of 'dual heritage,' they think it's a modern concept, but really it's not.
Sometimes you can't fight change, because you're a part of it, and I feel that in the context of these films that are happening now, there is a kind of change coming in terms of how history is represented on film, and the African, and the African-American and British African experience.
I spent a chunk of time in New Orleans doing the movie 'Free State Of Jones,' getting to work with Matthew McConaughey, and also did 'Concussion,' where I got to work with Will Smith.
I think being biracial is a different experience. I think that, and coming from the U.K., I feel as much white as I do black. And so it's really important for me to address these issues of identity in my work. But also, you know, we're always stronger when we work on, you know, what we have in common. And I love exploring that in my work.
I feel like my work has been incredibly diverse.
My personal style is somewhat androgynous and simple. With my lifestyle, I've become more of a minimalist.