In general, I think people are worried about saying the wrong thing to any grieving person. On a very basic level, I think they're frightened of touching off tears or sorrow, as though someone tearing up at the mention of unhappy news would be the mentioner's fault.
A comic strip that your parents read when they were young is a curious thing: it's an heirloom, and it's also intimate. You peer through windows and look at the things that made your elders laugh, and then you wonder whether the laugh really belongs to you.
I work in my office on the campus of the University of Texas. It's the sort of place described as 'book-lined', but it's recently tipped over into 'fire-hazard' territory.
New Orleans is still the place where you find out that you have a doppelganger and feel lucky - but somehow unsurprised - to learn that his name is Mad Bottom.
When I first met my husband, he was sculpting Vilnius out of clay - a sort of Vilnius, anyhow: a map of an imaginary European city based on the Lithuanian capital - to illustrate his second novel.
My mother's family didn't speak much about Europe: My mother was born in 1935, and her new-world parents were the sort who didn't want to worry their children about the war.
The walls of the Franciscan Church of the Assumption of the Holy Virgin Mary were ruined stucco chipping away from the brick underneath, with ghostly frescoes, concrete-filled niches, and one complete, vivid crucifix painted over the altar.
I have children, and this notion - that there might be a single book that introduces children to literature - terrifies me. But you could do worse than Mary Norton's 'The Borrowers.' I loved it as a kid, and my kids love it, too.