If you can see it, you can be it. And I believe in that.
I see artists as the first responders. And when the proverbial crap hits the fan, we are there to be of service, to tell the story, to bring a balm, to soothe, to provide catharsis. You know, not to make our work any more important or less important, but just that there is a great importance to it.
I went to an art school in high school and got in a little trouble like you do when you're a teenager and not being closely supervised. I did. I followed the Dead around, and it was fun. It was great. It was kind and sweet and lovely.
We are in this amazing age of television where there's an incredible amount and an incredible quality of television, of long-form narrative.
By nature, my default place is a very introverted one, so it's funny to be in such an extroverted profession. I'm a little inappropriately in it.
When I finished high school, I didn't have much direction - I was a Deadhead kid who ended up bumming around London seeing a lot of theater. That's where I saw the performance that made me want to act: Vanessa Redgrave doing 'A Touch of the Poet.'
When I was nursing my son, you're up all the time during the first year, and you're sort of brain dead. So I'd find myself watching Turner Classic Movies at odd hours.