I did make a solo album in my house when I was there. And because I was just afraid of flying, I wouldn't promote it, and I wouldn't tour. Actually, it wasn't a very good album anyway - it got buried underneath the pits of Hell, I suppose.
We've always connected musically in Fleetwood Mac because we're the only people who play more than one note. I'm not the best pianist, but I know how to interlace around what Lindsey's playing.
I write about unrequited love in a very optimistic way.
I tend to like the traditional sound: three-part harmonies, guitar, and piano. I mean, a well-played guitar is a joy forever... or something.
I dearly remember the old days... Fleetwood Mac had this one-of-a-kind charm. They were gregarious, charming and cheeky onstage. Very cheeky. They'd have a good time.
With Fleetwood Mac, it's an amazing chemistry that we have on stage.
I think there's a reason to go off and do something and experiment - splinter off and do something different. It keeps the nucleus of Fleetwood Mac fresh.
I felt very at home in California, but the place is prone to earthquakes, and the one in 1994 scared the life out of me. For months afterwards, I felt that every time I sat down, I should have put on a seatbelt.