There's nobody you can't love once you know their story. I believe that to be, in the majority, true.
As if we didn't have enough fabulous actresses, it's a thrill to be joined by Wales's finest, Eve Myles. Having worked together on 'Torchwood,' it's a joy to be able to welcome her to 'Broadchurch.'
Often what happens with the writing is that you know where you want to start and you know where you want to end, but the journey is never quite what you predict because the characters take on a life on their own.
I'm incredibly grateful and humbled by the response 'Broadchurch' got.
What I didn't want to come in with is 'Camelot' in all its pomp and glory. Instead we're looking at how you build a society, how you build a world that people believe in, and how hard it is.
There's something very interesting about world leaders promising hope and then carrying through on that.
My embarrassing confession is that my father is a 'Camelot: The Musical' obsessive. So as a child, when we were going to visit relatives on the weekend, whenever we were driving back on these three-hour drives, he would be playing the musical soundtrack on repeat, on the cassette in our car, to the extent that we begged him never to play it again.
Broadchurch' has been a life-changing experience for me, but all good stories come to an end.
It's a 'Doctor Who' budget. A BBC budget, although a very good one. But you know you can't do dinosaurs endlessly for 45 minutes, so there has to be a big ‘other' story going on.