In particular, the film 'Excalibur' was definitely one of those films that was instrumental in me realizing that I wanted to become an actor.
There's nothing ever monetarily or fame-seeking or any of the other motivations that sometimes go hand-in-hand with this profession. To me, it's just not like that. I'm on a journey of self-discovery and trying to avoid total existential crisis. That's the kind of operating zone that I'm approaching this business from.
Being an actor is fantastic because you get to live your dreams and all of that, but I always think it's slightly irritating when you hear from the outside world, and people are like, 'Yeah, well, if I was an actor, and all I had to do was look good, I could be that ripped, too.'
English people are always surprised I'm English.
I think world creation and monster creation and all of that stuff is exciting as a secondary element of storytelling. When it becomes more important than storytelling, I get very nervous, and you sort of lose me a little bit.
I'm pretty mercurial and a very difficult, long-winded decision-maker at the best of times.
There's a tendency in this Hollywood machinery to take on too much. You end up not being able to give everything you want.
I ride the same bike that I rode on 'Sons,' a Harley Dyna Super Glide. You know, I wish I wasn't the guy who rode the same bike he rode on his show, but the problem is there's no better bike out there.