Satire is fascinating stuff. It's deadly serious, and when politics begin to break down, there is a drift towards satire, because it's the only thing that makes any sense.
If you're into architecture and you're from the West, everything is hors d'oeuvres for working to rebuild the Temple. Ultimately you're led there. You can't escape it.
I'm interested in locating the holy grail of the minimum means to express the most complex ideas.
At this present time, matter is still the best way to think of architecture, but I'm not so sure for very long. The computer is radicalizing the way we think about our world.
Politics are beautiful. They enable a community to live collectively with one another. It's not about stabbing each other in the back; it's about enabling people to reach their dreams and pursue happiness.
You can just drift unhappily towards this vision of heaven on earth, and ultimately that is what architecture is a vision of: Heaven on earth, at it's best.
I feel most strongly about Jerusalem, because architects ultimately have to address that city.
Any ideal system is its own worst enemy, and as soon as you start to implement these visions of grandeur, they just fall apart and turn into a complete tyranny.
I deeply believe in pluralism. I believe in the close proximity of multiple systems or agnostic systems.
I see man more as an instrument or an agent more than anything else.
I started producing work with an ecstatic addiction.
I'm just interested in meditating on certain ideas, and I like to draw: that's my way of thinking.
Student journeys which were important to me were Sicily, Greece, and Egypt, where I really saw these buildings, and that is where you're able to grasp what things mean.
The corruption of the American soul is consumerism.