I wind up playing these characters a lot: They have self-esteem issues, or they're going through a lot as a young adult.
You have to learn how to dress yourself and how to walk into a room and talk to people. Once you're in rehearsal, you have to know how to rehearse and how to communicate with your creatives, even if you don't communicate the same way.
When I was in high school, I was so in love - as I should have been - with the performance aspect of theater and just the literal act of performing.
I wound up going to the Walnut Hill School for the Arts in Natick, which was a really life-changing experience that's still the most intense working environment I've ever been part of. Even now, as a professional actor, I've never once been held to the standards I was held to at my high school.
The goal, when you're playing a character that's super beloved from a movie, is to honor what the actor before you has done and then really just expand, which is what you get to do in a musical because you have songs, choreography, and everything is happening in real time.
When you become a professional, there is all this other stuff you have to do. That part is the job, capital J-O-B. They're very different things, but they're all part of the same career. Once you get onstage and you get to perform, that's your reward for doing your job.
My insane mascara layering is my private homage to Winona Ryder's amazing peepers.
Whenever I'm teaching teenagers, I always try to treat them, like, a little bit more gently but the same that I treat adults.
I got serious about performing, and I got serious about acting. It's very funny; singing has always been a very separate thing for me - until I went to college. I just studied musical theater because I was like, 'That means I can study voice and acting in the same major, and I won't have to double major.' Now I do musicals for a living.
I would love to do stuff on camera. That's what I want to do. It took me a really long time to feel confident as an actor. I think, also, because there's a weird stigma about musical theater where we treat the men who do musical theater differently than we treat the women in musical theater.
A lot of the times, what girls go through when they're growing up gets minimized. 'Mean Girls' marked the first time I saw teenage female aggression articulated well and with importance.
When I heard that they were making 'Mean Girls' into a musical, I immediately said, 'That's my part. I want to play Janis so badly.' And I wanted to hang out with Tina Fey! What's cooler than that?
One of the things that I love so much about the character of Sally Bowles is that she is such a huge character - she is so roomy.
For me, in my auditioning career and my professional life, since I am kind of a big person and since I have a big personality, I often find myself trying to squeeze myself into boxes that are really too small for me, and it ends up not working out.
