I used to believe that people are only born once, but now I feel I have been reborn, like I was given a new life. I see myself as a child, full of energy and hope.
I often ask myself, 'Why is it that most of the lies come out of Islamic countries, and why is it that most of the social corruptions are in the Middle East and in these Islamic countries?' The answer is, when you control something, when you suppress something, people try to do it another way.
Lying and corruption are in the Iranian society in all sense of the world, and if you do research about married women, you see that a lot of them tell you they get a lot of enjoyment from breaking the rules of corruption, because just for the fact that they break the rules, it makes them oppose the system.
In Kurdistan, there's a lot of hardship - a lot of wars, a lot of bitter and difficult lifestyles. And witnessing all those made me a director.
Actually, the only thing I regret is not making more underground films and bringing them with me as historical documents.
In my view, the adults are the burnt generation of Iraq for whom nothing can be done. But for the children, we can worry now, we can talk about them, we can plan for them, we can get our protest heard by others.
I use humour a lot. My foundation is tragic, but my appearance is humorous.
I had seen some films made about the underground music world in Tehran, and most of them were short documentaries about 30 or 40 minutes long. And I always wondered why they weren't publicized more. Really, their only flaw was they were short documentaries.
I'm very much interested in music specifically and wanted to make a film about it, but not in an atmosphere of censorship.