I am somebody who is not too fond of fancy or commercial stuff, like dancing around trees. Even in the 20 films I have done in South, none had any of such stuff.
Irrespective of the language and industry, what I seek from a project is good story and role.
I used to visit one production house every day, and I used to take up auditions even for small roles. Before my debut, I must have auditioned at almost every single production house.
I am not interested in doing a film on the basis of a good story. I want a proper screenplay.
In the kind of films offered to me, I don't even get the role of a city-based college girl. How do I let people know I can do sophisticated, contemporary roles, too?
'Kanaa' is a rare opportunity; it's about women's cricket, and they've trusted me with this film. I trained for nearly four hours every day with three coaches.
One must never compromise on finances and confuse personal friendships with professional charges.
While signing 'Sakhavu,' I wasn't aware of the depth of communism in Kerala. I was born and brought up in Chennai, and our political ideologies are very different.
I always do what the character demands, and I love to experiment with my looks.