I've followed Mysskin sir's work, and I really like his style of filmmaking.
It's always exciting to work with people you admire.
Dhanush is an insanely incredible actor. To be directed by him has been nothing short of a learning experience.
The whole point of creativity is that it has no boundaries of language, region, and age.
I saw Mani sir's 'Bombay,' and I wanted to be a Mani sir heroine.
People who can actually challenge me and push me and almost push me to breaking point and extract a performance out of me, I really enjoy that.
What you are is what you are, and I don't think you should ever fight it. But as an actor, I feel lucky to play different parts.
I only can talk about myself and my experience. Honestly, working on your own terms is difficult for a newcomer but not impossible. I am an example of that.
In film business or any business, for that matter, there are people with different mindsets. Some would be compassionate and respectful, some might just be the womaniser, but how can we generalise that? That is wrong, I guess... That way, in a male-dominating society, shining is tough for women.
For someone, success is to be the highest paid actress. For some, it might be the number of awards, and for some, it is the number of films. Honestly, I feel privileged when a celebrated filmmaker offers me a role so that I can be a part of his vision. That is success for me.
In general, a film's delay is disheartening for actors, but it's harder on the director and the producer who have been on the project for longer than anyone else. While actors move on to other projects, the film's makers don't.
When you step inside a set and transform into a character, it's your first brush with that role. It doesn't matter who you have worked with. Every character will be a first in your life as an artiste.
I don't want the baggage of knowing things when I walk on to a set. I am more comfortable being an empty slate, surrendering before a director and writer's vision. I've realised that this is the best way for me to function.
If I believe that I have done it all, there's nothing more for me to learn and explore.
The experience of shooting a film is about the script, the captain of the ship who is the director, and the way they push their actors and teams to give their best. It's not about the language and the region.
Everyone in Hyderabad is generous and loving.
While shooting for 'Kaatru Veliyidai,' I was living my childhood dream of working with my favourite director. It was surreal and thrilling at the same time.
It is very natural for a couple in love to be physically intimate.
Everyone associates Hyderabad with biryani, so when I say I was born here, the first thing people ask is - 'When will you make Hyderabadi khana for us?' Whenever I make biryani, my friends come over.
I guess people feel that if you're working with good directors and are known in the Hindi film industry, then you won't work in South films. However, I believe that films have no boundaries of language, religion, or cast. If it's a good script and a good director, I can do a film in Spanish as well.
