romantic Zitate

For me it's always been the visitation of characters. Since I was very young l've thought there is a natural creative spirit, a very romantic spirit, that we have within. That spirit seeks expression. It exists in those of us who want to be writers, or think that we are going to be writers; who want to write poetry, to write stories, to jump into novels. But that spirit, that energy, has to be

channeled. I think a great deal of channeling for me has to do with the very strong characters that come to me and demand that their stories be told.

For me, from the moment when the first, still unformed, idea comes into my head until the projection of the rushes, the process of making a film constitutes a single piece of work. I mean that I cannot become interested in anything, day or night, which is not that film. Let no one imagine that this is a romantic pose — on the contrary. I become relatively more lucid, more attentive, and almost

feel as if I were intelligent and more ready to understand.

I suspect it is this Camelot view that leads Miss Croce to be rather unfair to Gene Kelly…I should say the difference starts with their bodies. If you compare Kelly to Astaire, accepting Astaire's debonair style as perfection then, of course, Kelly looks bad. But in popular dance forms, in which movement is not rigidly codified, as it is in ballet, perfection is a romantic myth or a figure of

speech, nothing more. Kelly isn't a winged dancer; he's a hoofer and more earthbound. But he has warmth and range as an actor…Astaire's grasshopper lightness was his limitation as an actor - confining him to perennial gosh-oh-gee adolescence;; he was always and only a light comedian and could function only in fairytale vehicles.