The fundamental article of my political creed is that despotism, or unlimited sovereignty, or absolute power, is the same in a majority of a popular assembly, an aristocratical council, an oligarchical junto, and a single emperor. Equally arbitrary, cruel, bloody, and in every respect diabolical.
I don't know much about the score for GODZILLA 1985. However, my impression of GODZILLA VS. BIOLLANTE is a negative one, both in terms of the direction and the music. For example, the music that is heard while the scenes that take place in Saradia are shown is just ridiculous. The composer used European music instead of some modern Arabic music. By the way, during the production of GODZILLA VS.
BIOLLANTE, Toho asked for permission to use some of my music in the film. I said that I would allow its use as long as it was not turned into popular music. Toho agreed to that, but just before GODZILLA VS. BIOLLANTE was completed, a Toho representative came to me and said, "Well, your music was turned into popular music." By that time, it was too late to do anything about the situation. After
GODZILLA VS. BIOLLANTE was released, my daughter came to me and said, "No matter how much you try to escape from Godzilla movies, Toho always uses your name and your melodies, so why don't you just score the next Godzilla film yourself?"
I'm a businessman. I've made my money supplying a popular demand. If I break the law, my customers are as guilty as I am.
In the theocracy of the soul majorities do not rule. God and the saints; against them the rabble of sinners, with clamorous voices and uplifted hand, striving to silence the oracle of the private heart. Beelzebub marshals majorities. Prophets and reformers are always special enemies of his and his minions. Multitudes ever lie. Every age is a Judas, and betrays its Messiahs into the hands of the
multitude. The voice of the private, not popular heart, is alone authentic.
The directors of Synthank were eating an enormous luncheon to celebrate the launching of their new product. Some of them wore the plastic face-masks popular at the time. All were elegantly slender, despite the rich food and drink they were putting away. Their wives were elegantly slender, despite the food and drink they too were putting away. An earlier and less sophisticated generation would have
regarded them as beautiful people, apart from their eyes.
All of which makes one feel that the centuries of science upon which our western culture is based have travelled unmarked through the popular mind. A surprising number of people are willing to junk the entire accumulation of knowledge since Ancient Greece after watching Uri Geller perform for five minutes on their twenty-three inch screen.
Aldiss’s second law of thermo-linguistics states that what is most popular is rarely best and that what is best is rarely most popular.