light Zitate

WHEN father bought the lamp, or a little before that, he said to mother:
"Hark ye, mother—ought n't we to buy us a lamp?"
"A lamp? What sort of a lamp?"
"What! Don't you know that the storekeeper who lives in the market town has brought from St. Petersburg lamps that actually burn better than ten päreä? [1] They've already got a lamp of the sort at the parsonage."
"Oh, yes! Is n't

it one of those things which shines in the middle of the room so that we can see to read in every corner, just as if it was broad daylight?"
"That's just it. There's oil that burns in it, and you only have to light it of an evening, and it burns on without going out till the next morning."
"But how can the wet oil burn?"

I had to go to the Bauhaus to the basic course that was given by Itten. And I submitted to that although I was a little older than Itten. But I have not the best memories of my studies there. So when that course was over everyone had to exhibit his work and then it was decided whether or not one could continue. I was accepted to continue. But I wanted to go into a workshop and I wanted to make

stained glass. That was my old dream. Glass pictures. But Itten thought I was not ready for that. Certainly to delay my study in glass, Itten said, 'Glass painting is a branch of wall painting and you should go first to our wall painting workshop,' And I said, 'That's nonsense. Wall painting has to do with reflected light and glass painting with direct light.' So I said 'Sorry, I'll do my own

stuff on my own.

I have not built any theory. I have only tried to build up sensitive eyes, as my book says. And I have tried to achieve that by aiming at very distinct color relationships again – like how do they influence each other? Change each other in light and in intensity, in transparency, opacity? How do they change each other in all different directions? That we make all the students aware, through

experience, that color is the most relative medium in art, and that we never really see what we see. All neighboring means which occur every minute different, not only in changing light but also by our changing moods. And in the end, the study of color again is a study of ourselves.

That question is so big that there is no end [Albers refers here to the relationship between colors and the source of light]. You see, they have just you cannot participate with it if you have not lubricated your eyes very thoroughly to see the little changes produced in our eye that has another action than any optical apparatus like photography. We must know that we have two ways of seeing. For

instance, when we are indoors another part of the retina is engaged compared with when we are outdoors. If we are in warm light or cool light, in higher light or lower light.