The only characteristic freaks share is our knowledge that we don't fit in.
The systems approach to problems focuses on systems taken as a whole, not on their parts taken separately. Such an approach is concerned with total- system performance even when a change in only one or a few of its parts is contemplated because there are some properties of systems that can only be treated adequately from a holistic point of view. These properties derive from the relationship
between parts of systems: how the parts interact and fit together
I think an artist can fit under a few different categories depending on how much you explore your creativity. It can vary from artist to artist from musician to performer to vocalist. I thrive on creativity. So in the long run I want to be an all around entertainer.
I'm lucky that SFWA has such a short memory. I was always the Young Turk, the gadfly. Part of the New Wave, although I didn't fit in there either! I spent years, and two histories, putting the so-called Old Guard in their place, and now I'm one of them!
My teacher, Ales Adamovich, whose name I mention today with gratitude, felt that writing prose about the nightmares of the 20th century was sacrilege. Nothing may be invented. You must give the truth as it is. A "super-literature" is required. The witness must speak. Nietzsche's words come to mind – no artist can live up to reality. He can't lift it. It always troubled me that the truth doesn't
fit into one heart, into one mind, that truth is somehow splintered. There's a lot of it, it is varied, and it is strewn about the world.
I've always figured the only way I could finish a book and get a plot was just to keep making it longer and longer until something happens – you know, until it finds its own plot – because you can't outline and then fit the thing into it. I suppose it's a slow way of working.