Josef Albers
Josef Albers

Seeing several of these paintings [his series paintings 'Hommage to the square', Josef Albers painted in 1963-64] next to each other makes it obvious that each painting is an instrumentation on its own.
This means that they all are of different palettes, and, therefore, so to speak, of different climates.
Choice of the colors used, as well as their order, is aimed at an interaction –

influencing and changing each other forth and back.
Thus, character and feeling alter from painting to painting without any additional 'handwriting' or, so-called, texture.
Though the underlying symmetrical and quasi-concentric order of squares remains the same in all paintings – in proportion and placement – these same squares group or single themselves, connect and separate in many

different ways
In consequence, they move forth and back, in and out, and grow up and down and near and far, as well as enlarged and diminished. All this to proclaim color autonomy as a means of plastic organization.

Fiona Apple
Fiona Apple

Interviewer: I read a post on the Internet from a young girl who had been victimized by someone and her position was like, "I can talk about this now because Fiona Apple can talk about what happened to her." Do you look at yourself as a role model for women and girls who've had this experience?
Fiona: That's the only reason I ever brought the whole rape thing up. It's a terrible thing, but it

happens to so many people. I mean, 80 percent of the people I've told have said right back to me, "That happened to me too." It's so common, and so ridiculous that it's a hard thing to talk about. It angers me so much because something like that happens to you and you carry it around for the rest of your life. No matter how much therapy you go through, no matter how much healing you go through,

it's part of you. I just feel that it's such a tragedy that so many people have to bear the extra burden of having to keep it secret from everyone else. As if it's too icky a subject to burden other people with and everyone's going to think you're a victim forever. Then you've labeled yourself a victim, and you've been taken advantage of, and you're ruined, and you're soiled, and you're not pure,

you know.If I'm in a position where people are looking up to me in any way, then it's absolutely my responsibility to be open and honest about this, because if I'm not, what does that say to people? It doesn't change a person -- well, it does change a person but it doesn't take anything away from you. It can only strengthen you. It has made me so angry in the past. Like I wanted to say it to

somebody. I really wanted somebody to connect with, somebody to understand me, somebody to comfort me. But I felt like I couldn't say anything about because it was taboo to talk about.

Roscoe Arbuckle
Roscoe Arbuckle

Acquittal is not enough for Roscoe Arbuckle. We feel that a great injustice has been done him … there was not the slightest proof adduced to connect him in any way with the commission of a crime. He was manly throughout the case and told a straightforward story which we all believe. We wish him success and hope that the American people will take the judgement of fourteen men and women that

Roscoe Arbuckle is entirely innocent and free from all blame.

Aristóteles
Aristóteles

The infinite… happens to subsist in a way contrary to what is asserted by others: for the infinite is not that beyond which there is nothing, but it is that of which there is always something beyond. …But that pertaining to which there is nothing beyond is perfect and whole. …that of which nothing is absent pertaining to the parts …the whole is that pertaining to which there is nothing

beyond. But that pertaining to which something external is absent, that is not all …But nothing is perfect which has not an end; and the end is a bound. On this account… Parmenides spoke better than Melissus: for the latter says that the infinite is a whole; but the former, that the whole is finite, and equally balanced from the middle: for to conjoin the infinite with the universe and the

whole, is not to connect line with line.

Erykah Badu
Erykah Badu

I’ve learned so many things since then. I’ve changed in a way that involves elimination for the sake of evolution. There’s less emphasis on trying to figure things out. It’s about letting things be. I’m focusing on listening to the silence underneath everything. That’s what I try to connect with. I can listen to the silence right here, right now while we’re talking, and it feels so

good. I’m in love with the silence.