Anna Andrejewna Achmatowa
Anna Andrejewna Achmatowa

For some the wind can fleshly blow,
for some the sunlight fade at ease,
but we, made partners in our dread,
hear but the grating of the keys,
and heavy-booted soldiers' tread.
As if for early mass, we rose
and each day walked the wilderness,
trudging through silent street and square,
to congregate, less live than dead.

Al Capone
Al Capone

Do I do business with Canadian racketeers? I don't even know what street Canada is on.

Nelson Algren
Nelson Algren

… he said, with sort of a little derisive smile, "How can you walk down the street with all this stuff going on inside you?" I said, "I don't know how you can walk down the street with nothing going on inside you.

Mukesh Ambani
Mukesh Ambani

Reliance will get listed on wall street because we want to benchmark ourselves with the top 100 companies of the world.

Martin Amis
Martin Amis

Kingsley fell over. And this was no brisk trip or tumble. It was an act of colossal administration. First came a kind of slow-leak effect, giving me the immediate worry that Kingsley, when fully deflated, would spread out into the street on both sides of the island, where there were cars, trucks, sneezing buses. Next, as I grabbed and tugged, he felt like a great ship settling on its side: would

it right itself, or go under? Then came an impression of overall dissolution and the loss of basic physical coherence. I groped around him, looking for places to shore him up, but every bit of him was falling, dropping, seeking the lowest level, like a mudslide.

Carl Andre
Carl Andre

I think it's called Arte Povera. But it doesn't mean 'poor art'. It means the art which you would do out there if you were nobody at all. Aspects of this are street art and so forth. Earthworks interest me to the single extent that it means a great extension of the possibilities of materials. Dirt is a wonderful material to make things out of. And mud and rocks and things like this…

Mary Antin
Mary Antin

Outside America I should hardly be believed if I told how simply, in my experience, Dover Street merged into the Back Bay.

Karel Appel
Karel Appel

You can see the roughness of structure and the spots like wounds from battles on the canvas. The tops of skyscrapers with windows like eyes constantly remind you that there are laws surrounding the wastelands, and so you hide in the deep grass when you make love to a girl in dirty clothes, and experience how your nerves of seeing become stronger and stronger and every little sound more and more

intense. That's what Pasolini's poetry is partly about; he was a street guy and therefore I avoided beautiful new wood or metal for his sculpture... The wasteland was Pasolini's other side; the boys, the knives, the nights, the tensions.

Karel Appel
Karel Appel

One of my first sculptures was made of bicycle parts. I was living at that time in a attic in the red light section of Amsterdam. I started to work without any specific materials. I was looking in the street like when I was a young boy, in the garbage cans, for ropes, wires, and paint. I left my parents in 1940. Years later I saw an exhibition of Kurt Schwitters at the Stedelijk Museum in

Amsterdam curated by Willem Sandberg and there I saw the real 'objet trouvé'; until then I had never heard about it. Schwitters was a shattering experience.

John Ashcroft
John Ashcroft

The last time I looked at September 11th, an American street was a war zone. There was a street in Virginia that was a war zone.