wind Citations

Speech perpetuates vision. We carry no light; we are things of shadow, for night closes our eyes, and we put out our hands to find our way when the light is gone; we only shine in speech; truth is made by the mouths of men. The wind of words — what is it? It is our breath — not all words, for there are artificial and copied ones which are not part of the speaker; but the profound words, the

cries. In the human cry you feel the effort of the spring. The cry comes out of us, it is as living as a child. The cry goes on, and makes the appeal of truth wherever it may be, the cry gathers cries.

Death is not yet dead everywhere. Some points and surfaces still resist and budge and cry out, doubtless because it is dawn; and once the wind swept away a muffled bugle-call. There are some who still burn with the invisible fire of fever, in spite of the frozen periods they have crossed. But the cold is working into them. The immobility of lifeless things is passing into them, and the wind

empties itself as it goes by.

Nothing mankind had done in its short and bloody history had made the slightest bit of difference to this patient geographical realignment.
Meanwhile the Earth, left to its own devices, had deployed a variety of healing mechanisms, physical, chemical, biological, and geological, to recover from the devastating interventions of its human inhabitants. Air pollutants had been broken up by sunlight

and dispersed. Bog ore had absorbed much metallic waste. Vegetation had recolonized abandoned landscapes, roots breaking up concrete and asphalt, overgrowing ditches and canals. Erosion by wind and water had caused the final collapse of the last structures, washing it all into sand.
Meanwhile the relentless processes of variation and selection had worked to fill an empty world.

She is all peace, all quiet,
All passionate desires, the eloquent thunder
Of new, glad suns, shouting aloud for joy,
Over fresh worlds and clean, trampling the air
Like stooping hawks, to the long wind of horns,
Flung from the bastions of Eternity...
And she is the low lake, drowsy and gentle,
And good words spoken from the tongues of friends,
And calmness in the evening,

and deep thoughts,
Falling like dreams from the stars' solemn mouths.
All these.

Film has dream, film has music. No form of art goes beyond ordinary consciousness as film does, straight to our emotions, deep into the twilight room of the soul. A little twitch in our optic nerve, a shock effect: twenty-four illuminated frames in a second, darkness in between, the optic nerve incapable of registering darkness. At the editing table, when I run the trip of film through, frame by

frame, I still feel that dizzy sense of magic of my childhood: in the darkness of the wardrobe, I slowly wind one frame after another, see almost imperceptible changes, wind faster — a movement.

Summer is the season of motion, winter is the season of form. In summer everything moves save the fixed and inert. Down the hill flows the west wind, making wavelets in the shorter grass and great billows in the standing hay; the tree in full leaf sways its heavy boughs below and tosses its leaves above; the weed by the gate bends and turns when the wind blows down the road. It is the shadow of

moving things that we usually see, and the shadows are themselves in motion. The shadow of a branch, speckled through with light, wavers across the lawn, the sprawling shadow of the weed moves and sways across the dust.