What is the alternative to collective bargaining? There is none except anarchy, and there are rare elements in the country that would like to see anarchy in the trade unions—in my view the most dangerous thing for the country that could happen. Another alternative is force, but we may rule out force in this country, and I would lay it down that, so long as the industrial system remains as it is,
collective bargaining is the right thing. I have no doubt about that. And yet we all know in our heart of hearts that it may be a clumsy method of settling disputes, and that the last word has not been spoken. Some day, when we are all fit for a democracy, we shall not need these aids, but certainly for my part, and as long as I can see ahead, unless there is that change in human nature which we
are always hoping for, collective bargaining will be a necessity.
Since the belief in transmission of acquired adaptations arose from preconception rather than from evidence, it is worth observing that, rightly considered, the probability should surely be the other way. For the adaptations relate to every variety of exigency. To supply themselves with food, to find it, to seize and digest it, to protect themselves from predatory enemies whether by offence or
defence, to counter-balance the changes of temperature, or pressure, to provide for mechanical strains, to obtain immunity from poison and from invading organisms, to bring the sexual elements into contact, to ensure the distribution of the type; all these and many more are accomplished by organisms in a thousand most diverse and alternative methods. Those are the things that are hard to imagine
as produced by any concatenation of natural events; but the suggestions that organisms had had from the beginning innate in them a power of modifying themselves, their organs and their instincts so as to meet these multifarious requirements does not materially differ from the more overt appeals to supernatural intervention. The conception, originally introduced by Hering and independently by S.
Butler, that adaptation is a consequence or product of accumulated memory was of late revived by Semon and has been received with some approval, especially by F. Darwin. I see nothing fantastic in the notion that memory may be unconsciously preserved with the same continuity that the protoplasmic basis of life possesses. That idea, though purely speculative and, as yet, incapable of proof or
disproof contains nothing which our experience of matter or of life at all refutes. On the contrary, we probably do well to retain the suggestion as a clue that may some day be of service. But if adaptation is to be the product of these accumulated experiences, they must in some way be translated into terms of physiological and structural change, a process frankly inconceivable.
La décroissance représente une alternative en forme de rupture. Mais elle ne sera possible qu'à la condition d'une transformation générale des esprits. Serge Latouche parle à très juste titre de "décoloniser l'imaginaire". Cela impose de combattre le productivisme sous toutes ses formes, en vue, non d'un retour en arrière, mais d'un dépassement. Il s'agit de faire sortir de nos têtes le
primat de l'économie et l'obsession de la consommation, qui ont rendu l'homme étranger à lui-même. De rompre avec le monde des objets pour réinstituer celui des hommes.
What does it say about our country when people are so desperate for an alternative to our one-party state masquerading as a two-party state that they'll even elect a professional wrestler governor?
Mary frowned. A vampire doctor. Talk about exploring your alternative therapies.
With this new tendency [of Orphism] the Cubists dubbed Impressionism of forms according to Appolinaire, is entering a final and glorious phase:.. Orphism, pure painting, simultaneity. And there you have it, as many obvious plagiarisms of what has formed, from its earliest appearances, the essence of Futurist painting and sculpture…. But we insist on sorting things out. Orphism [initiated by
former Cubist artist Robert Delaunay as an colorful alternative for strict Cubism ], let us say it right away, is just an elegant masquerade of the basic principles of Futurist painting. This new trend simply illustrates the profit that our French colleagues managed to driver from our first Futurist exhibition in Paris.