I was kind of solitary. I'd spend a lot of time on my own, reading books. I didn't integrate very well.
The real writers are tenacious creatures, and they found a way long before there were writers workshops and creative writing courses in the universities. In the absence of formal frameworks, personal initiatives and informal frameworks become more important.
The ‘novel’ is a publishing convention that deforms the story. If more attention were given to form there would be fewer novels and better stories. There's no reason a publisher can’t put out a story that's a hundred or even seventy pages long. But a publisher will look at a story like that as defective novel, ineligible for shortlists. It should be in a collection. Or pumped full of air,
turned into a novel… It's a pity. You see some good writers behaving like performing monkeys.
I write to discover something, not so much to set down what I already know. I see ignorance and confusion all around me. I see these things in myself. I'm subject of all kinds of fears and conflicting desires. But one of those desires, the sanest one, is to see through the confusion.
I used to write in the Rathmines public library. I was on the dole and living in a bedsit down the road. It was too cold to write at home. I had one of those meters that you had to put 50p into. So I'd go down the library every morning and after lunch to scribble stuff in longhand in the study room there.