The Tonys are also kind of like a homegrown party. You know everybody.
I can tell you where my Tonys are. They're in a beautiful place in my living room, in a glass cabinet.
I try to ignore the Tonys buzz as much as possible. It's wonderful to be thought of that way, but I have to kind of pretend it's not happening so I can keep focus. It's about the work I'm doing, and it's more than enough to come away knowing that people are changed when they leave the theater.
The Broadway run of 'Memphis' has been like going to the moon. It was so great to actually open at the Shubert Theatre and then amazing to be nominated for eight Tonys and attend all the luncheons and events.
There's a lot of pressure on Broadway. There's this feeling that the show has to be a commercial success and the producers have to make their money back and Tonys and blah, blah, blah, blah, blah.