Young people like things that are fresh and new. If something does seem fatigued, or derivative, they're going to let you know.
Because of the 'Twilight' series, our company gets every speculative piece of fiction from people hoping for the next 'Twilight,' and so you read them, and they all kind of wash over you after awhile.
I find, a lot of the time, kids can get stuck on, 'Oh no, he doesn't have blue eyes,' with books. You're kind of like, 'Well, that you're going to get over by the time the movie comes out.'
You'll go see a movie like 'Matrix 2,' and the car chase goes on and on and on and on. They had all the money in the world and all the time in the world. It doesn't make it an any better action sequence.
It's important to push the agenda of hiring women directors.
You spend your childhood wanting to get out from your house and wanting to get away and out into the real world, and then as adults, we start to learn that things are not what we thought they were.
The final battle of 'Eclipse' kind of blows the socks off everything we've seen earlier in the series, because you finally have wolves interacting with humans and vampires in a way that's really sophisticated visual effects that we're doing in it.
I think, a lot of times in Hollywood, the right idea comes along at the right time, and it becomes in retrospect, 'Wow, why didn't I think of that?'