Most of my memories are the sound of rain on caravan roofs.
When I started acting I knew nothing. It was a momentous decision to pick up the flyer for the 'Trainspotting' audition. 'Destined' is a bit of a poncy word for it, but I do think I was headed in that direction.
They're naughty, all those writers - they mess around with people. I know James Gandolfini got a bit fed up on 'The Sopranos': if he said anything in front of a writer, told them a story from his life, it could make its way into the script.
I get claustrophobic in a harness. I'd be a terrible superhero.
It's that TV thing. You can be in the biggest film of the year and it will still not have the kind of impact a TV series has. Once you're in people's living rooms, that's it. There's no hiding place.
It felt like a series of coincidences and luck that I ended up getting the part in 'Trainspotting,' but it's been an incredible journey since then. Every now and then, I sit and really think about it, and it blows my mind. I have to stop because I don't want my brain to implode.
I don't lobby where work is concerned. As long as I know I've got something coming up, I don't really worry. It's not that I'm not ambitious, but I don't have a drive to be hugely successful and be working all the time.
I walk away from jobs generally feeling good about it and that I've done a good job. And it's always slightly deflating when I see the film thing because it's still me up there.
I tend to get cast as a certain type of quiet, almost introverted person who's strong on the inside, but the characters are so very different I don't see it as any kind of typecasting.